This past weekend, the third annual American Music Honors took place at Monmouth University in Long Branch, New Jersey, where music legends were celebrated for their lasting contributions to American music. Among the honorees were Tom Morello, John Fogerty, Emmylou Harris, Joe Ely, and Smokey Robinson, who were all recognized for their iconic influence across a range of musical genres. The event, presented by the Bruce Springsteen Archives and Center for American Music, saw Springsteen himself in attendance, sharing heartfelt induction speeches and performances throughout the evening.
The American Music Honors celebrates artists who have shaped the landscape of American music, and this year’s class reflected an impressive variety of musical styles. From Robinson’s smooth Motown hits to Ely’s Texas country twang, Harris’ unmistakable voice, and Fogerty’s folk-rock anthems, the diversity of talent was evident. However, it was Tom Morello’s unforgettable performance on Springsteen’s “The Ghost of Tom Joad” that stole the show.
Armed with his custom-made Arm the Homeless guitar, Morello delivered a blistering guitar solo, channeling his frustrations with the current political climate. His incendiary playing, which included rapid-fire Van Halen-style runs, police siren-like volume swells, and whammy dive bombs, left the audience in awe. Commenting on Morello’s performance, newscaster Brian Williams, the event’s MC, exclaimed, “That is called ‘playing the shit out of the guitar!’”
In his acceptance speech, Morello didn’t shy away from voicing his political beliefs, quoting Rage Against the Machine’s famous anthem, “Fuck you, I won’t do what you tell me.” He passionately discussed the importance of music in social movements, recalling the role of songs in the labor movement and protests like those against the Vietnam War. Morello also emphasized the need for artistic resistance in today’s political climate, calling every act of art an act of defiance.
E Street Band guitarist Nils Lofgren, who honored Morello, praised his versatility and musicality. Lofgren shared his admiration for Morello’s ability to fuse various genres—from punk and funk to rock and hip-hop—into a sound entirely his own. Lofgren also recalled Morello’s hard work and dedication when he joined the E Street Band, learning over 75 songs in preparation for their tour.
Fogerty, a standout performer, delivered renditions of his classic hits such as “Bad Moon Rising,” “Proud Mary,” and “Fortunate Son.” With his black Gibson Les Paul, Fogerty showcased his timeless rock sensibility while reflecting on his long battle to regain the rights to his music catalog. He credited his wife Julie for leading the charge, allowing him to once again perform his iconic songs with pride.
Springsteen spoke highly of Fogerty’s work, describing his music as embodying the American spirit with unmatched passion. “John’s been able to condense everything good and painful, joyful and serious, about this country we live in — in two minutes and 30 seconds. That’s hard to fucking do!” he said, adding that Fogerty’s music would remain timeless.
The evening also featured tributes to Emmylou Harris and Smokey Robinson. Patti Scialfa joined Harris for a heartfelt rendition of “Red Dirt Girl,” while Van Zandt honored Robinson, performing his hit “Tears of a Clown.” Marc Ribler, guitarist for Disciples of Soul and the event’s musical director, led the house band through spot-on performances that kept the energy high throughout the night.
Although Joe Ely was unable to attend due to health reasons, his heartfelt thank-you speech was read by a family member. Springsteen performed Ely’s “All Just to Get to You,” a track from Ely’s 1995 album. Previous honorees, including Jackson Browne, Steve Van Zandt, and Darlene Love, were also in attendance, along with Nora Guthrie, the granddaughter of Woody Guthrie.
The evening concluded with a powerful performance of “This Land Is Your Land,” including a rare, censored verse that had been omitted from earlier recordings. As Morello led the crowd in solidarity, he quoted the final verse of the song:
“There was a big high wall there that tried to stop me.
The sign was painted, said ‘Private Property.’
But on the backside, it didn’t say nothing.
This land was made for you and me.”
Morello’s call to action concluded the night, rallying the audience to jump in unison as a symbol of collective resistance. The event was a poignant celebration of American music, marking not only the achievements of the honorees but also the power of music to inspire change.
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