Pete Townshend, the legendary guitarist of The Who, has shared his personal thoughts on stage performances, revealing that he doesn’t actually enjoy being in the spotlight. In a recent interview with Spanish radio station RockFM, Townshend expressed his preference for working behind the scenes and working alone, rather than performing live in front of an audience.
This revelation comes after Townshend had suggested that AI could be used to create new music for fans longing for a nostalgic Who experience. He admits that performing doesn’t resonate with him in the same way it does with other musicians, despite his fame as one of rock’s most iconic performers.
“Most musicians are not like me,” Townshend shared during the interview. “Most musicians do two things that I don’t really do or enjoy. One is they love performing. I don’t love performing. I don’t like being on a stage.”
He went on to explain that while he doesn’t hate performing, it doesn’t fulfill him on a soul level the way it does for some performers. “It doesn’t fill my soul in the way that you see some performers — just their soul is filled through being on the stage. That’s not me,” he said.
Moreover, Townshend revealed that collaboration, which is often at the heart of many musicians’ creative processes, is also something he finds challenging. He described his discomfort in collaborating with other musicians and shared that he often prefers to rely on his own energy to express himself. “I find it difficult to collaborate. I find it very difficult looking in the eyes of another musician,” he explained. “I find myself looking to my own energy to express myself.”
This mindset stands in contrast to the energetic, rebellious figure Townshend was in his younger years, known for his wild performances and rock ‘n’ roll antics, like smashing guitars during shows. However, over time, his relationship with music and performance has changed.
Despite this preference for working alone, Townshend is currently involved in the creation of a ballet adaptation of The Who’s 1973 album Quadrophenia. The ballet, which will be performed in several cities across the U.K. this summer, is an exception to Townshend’s usual approach to collaboration. He emphasized that this project is not a traditional collaboration in the musical sense, as it focuses more on dance and the human body. “On the other hand, of course, I really admire the process of collaboration. I admire the process of dance and music,” he said, referring to the ballet project.
Townshend also opened up about some of the collaborations he has enjoyed over the years. He mentioned working with legendary guitarist David Gilmour on his White City album, though he admitted it was an uneasy collaboration. “I actually made it clear I’m not a natural collaborator,” Townshend said. He also fondly recalled working with Eric Clapton during the 1973 Rainbow Concert, calling it an enjoyable experience.
While Townshend’s live performances have become increasingly rare, he continues to work on his solo career and recently opened the Townshend Studio at the University of West London. Though live shows may be infrequent, his creativity remains intact as he continues to explore new avenues of musical expression.
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