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Renowned Japanese Taiko Troupe Kodo to Bring “One Earth Tour 2025: Warabe” to Colorado Springs

by Madonna

The popularity of Japanese taiko drumming has been attributed to many theories, but for Moe Niiyama, a member of the renowned taiko troupe Kodo, one idea stands out.

“It’s said that the sound of the big taiko drum resembles the heartbeat a baby hears in its mother’s womb,” Niiyama explained. “Even though it’s a Japanese instrument, it can be shared with anybody.”

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Kodo will bring its One Earth Tour 2025: Warabe to Pikes Peak Center on Sunday.

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The group’s name aligns with this sentiment. In Japanese, kodo consists of two characters: tsuzumi, meaning drum, and warabe, which translates to children or people—together signifying “children of the drum.”

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Four years ago, Kodo marked its 40th anniversary by developing two productions, each based on one of these characters. The current tour focuses on the second, emphasizing the individual expressions of performers and the dynamic connection between them as an ensemble.

Niiyama’s journey with taiko began early, starting at age three as part of her kindergarten curriculum. She continued playing in a community group through high school before auditioning for Kodo’s apprentice program in 2017. After two years of training—where apprentices also learn about farming and Japanese culture—she became a junior member for one year and was officially inducted into the troupe in 2020.

Her performances showcase her skills on taiko drums, tategoto (vertical harp), and bamboo flutes, in addition to her vocal contributions. This tour also features her in a prominent role, performing a lion dance in an intricate costume.

“What has stuck with me most is the power of taiko and how its sound can influence people’s emotions,” she said. “We travel the world, and though we speak different languages, the taiko drum allows us to communicate non-verbally.”

Taiko, which has been practiced for over 400 years, has evolved across Japan in various forms and styles. Kodo performs both original compositions and traditional pieces, the latter learned directly from local communities to help preserve the folk art.

“There is so much to gain from studying the history and folk traditions,” Niiyama noted. “These forms have been passed down through generations and continue to evolve with us as humans. My role in preserving this tradition is to pass it on to future generations.”

While taiko demands physical endurance, Niiyama emphasizes that mental resilience is just as essential.

“Our performances last two hours, requiring both physical and mental strength,” she said. “Those abilities are cultivated during the two-year apprenticeship, but each performer must maintain their stamina and discipline. More than anything, we must remind ourselves that we are capable. Mental strength is more important than physical strength.”

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